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Caspar David Friedrich Chalk Cliffs on Rügen
(I want to go to Rügen so, so bad. My ideal travel plan this summer is Copenhagen-Rügen-St. Petersburg)
Ok, I take back all the bad stuff I ever said about Romantic poetry. Once I got going (and no I didn’t even mention Kant or the sublime) I enjoyed it tremendously. Wordsworth and I are now like Batman and Robin, like Thelma and Louise, like Simon and Garfunkel. I’m his bodyguard and he’s my long-lost pal. It’s potentially the best essay I’ve ever written (or rather, it has potential of becoming the best, so far my rather grand statements are fairly underdeveloped). I think this every time I write an essay, I must have megalomaniac tendencies. But honestly, isn’t it the nature of literary criticism? It’s so arbitrary and subjective. There are no facts, only opinions. And in my essay, only my opinions count. You hear, clearly not healthy for your gracefully modest sprit. Well, of course, getting criticized for your essay isn’t exactly an ego-boast, but it doesn’t mean I was wrong, it just mean I wasn’t able to persuade you I was right.
So, the LSE Literary Festival kicked of last night with a panel discussion on the somewhat misleading topic ‘How would a Robot read a Novel?’ Discussing almost nothing of what was initially promised, it was still amazingly interesting. The whole thing is very timely indeed. I am more than ever questioning the benefits of an English degree and the purpose of literary studies in general. I see no direct attachment to the real world; I find no specific benefits of Lit-crit in the greater context. I know culture is important; I’m just not sure what I’m doing is. So a weekend of exploring the relationship between the sciences and literature feels absolutely vital for my sanity (and probably good for other reasons too). And the LSE! Seriously, what a stimulating environment. What resources they have. I feel smarter just by being in proximity.
Now, Friday night has finally arrived. Time to put on a dress and drink some wine methinks.
…this is what I like.
Essay: Zadie Smith on the essay. (bonus: Joan Didion anno 1967)
Perspective: everything’s amazing, nobody’s happy. (bonus: very funny!)
Philosophy: The Romantic Manifesto by Ayn Rand.
Radio: Weekend Woman’s Hour
Tune #1: Tougher than the Rest with Bruce Springsteen (bonus: fashion anno 1988)
Tune #2: Pata Pata with Miriam Makeba
Poem: “Spellbound” by Emily Brontë:
The night is darkening round me, The wild winds coldly blow; But a tyrant spell has bound me And I cannot, cannot go. The giant trees are bending Their bare boughs weighed with snow. And the storm is fast descending, And yet I cannot go. Clouds beyond clouds above me, Wastes beyond wastes below; But nothing dear can move me; I will not, cannot go.
Painting #1: Waterhouse – St Eulalia
Painting #2: Millais – Blow, Blow Thou Winter Wind
Painting #3: Friedrich – Winter Landscape
TED – Technology, Education and Design. Loads of speeches from the conferences they hold every year are available online. They are brief and concise but so intelligent, engaging and inspiring. And quite funny.